 |
Ottawa Chinese Martial Arts
|
 |
Hsing
Yi > History |
|
|
he
exact history and origin of Xinyi Quan is unclear. As with most
martial arts, there are many myths and legendary figures that played
important roles in the organization and promotion of Xingyi Quan,
and General Yueh Fei is usually credited as the founder of this
style. Yueh Fei himself attributed his skills to a wandering Taoist,
his teacher, who had no traceable name. Other, rarely acknowledged,
influences in the development and the history of this style are
the Shaolin temple, various family styles and other general, regional
martial arts. The basic history for Xingyi is summarized in four
periods spanning nearly one thousand years.
1. |
Prehistory
-1100's, Intention Fist, Yueh
Fei |
|
|
2. |
1600's,
Heart Intention and Six Combinations Fist, Ji
Jike, Cao Ji Wu |
|
|
3. |
1800's,
XingYi Quan (Shape and Intention boxing). Three
styles: Henan, Shanxi and Heibei , Li
Nengran and his students |
|
|
4. |
1930's
+, Additional New styles - Yi Chuan (Intention
boxing), Da Cheng Quan (Great achievement fist), Wang
Xiang Zhai |
|
|
|
Yueh
Fei (1103-1142), Founder
eneral
Yueh Fei was one of China's greatest generals from the Song Dynasty.
To most Chinese, he embodied all the patriotic and martial spirit
of a patriot and national hero. Most scholars agree, however, that
there is insufficient proof that General Yueh actually invented
the art of Xingyi. In
martial arts circles, he is given the credit as the founder of many
different styles of martial arts including: Eagle claw and the health
exercise known as the "Eight Pieces of Brocade". He is often given
credit because of his accomplishments and his critical role in Chinese
history. What is generally accepted is his proficiencies in the
martial arts and the training he provided to his troops that resulted
in his military successes. |
|
This picture describes a popular story concerning
Yueh Fei and his mother. Before Yueh Fei went to battle for the
first time, his mother wrote on his back the words "Jin Zhong
Bao Guo" (Be Loyal and Protect the country).
|
|
Popular
writings suggest that Yeuh Fei taught "Xin Yi Liu He Quan" (Heart Mind
Six Harmonies Boxing) to his army and attribute many Xingyi writings
to him. The Six Harmonies refer to the Three Internal Harmonies (the
heart or desire coordinates with the intent; the intent coordinates
with the qi or vital energy; the qi coordinates with the strength),
and the Three External Harmonies (the shoulders coordinate with the
hips; the elbows coordinate with the knees and the hands coordinate
with the feet).
One
of the earliest references to Yueh Fei in boxing lore is in the "Preface
to Six Harmonies Boxing" (Liuhequan Xu) written in 1750. According
to this treatise, the style was created by Yue Fei who "as a child learnt
from a master of deep knowledge and became very skillful at spear play;
(on this basis) he created a boxing method to teach his officers and
called it "Intention Boxing" (Yi Quan); (the martial art was) marvelous
and ingenious, unlike any other before. After the King (e.g. Yue Fei)
(passed away), the art was rarely seen during the Jin, Yuan and Ming
dynasties."
Some
indications of the validity of this claim can be found in recent research.
One current Chinese martial arts magazine published an article about
a discovery of a new branch of Xinyiquan, related neither to the Moslems
nor to the Dai Family. The style is practiced only in a very small community
in a small village in Henan Province. This article conveyed many facts
that seem to support the thesis that the style is a "living remains"
of Yue Fei's boxing from before the time of Ji Longfeng. For example
- one of the rules of that style does not allow to pass the boxing technique
to people with the last name Qin - probably because Yue Fei was betrayed
(which resulted in a death sentence) by Qin Hui, a minister in the Song
court. The style shows some similarity to other Xinyi branches, but
its movements are simple; the neigong methodology (internal exercises)
is practically nonexistent, and emphasis is put on practical fighting
skills.
|
|
|
Ji
Jike (Ji Longfeng, 1602-1683)

i Jike, also known as Ji Longfeng , lived at the end of the Ming and
the beginning of the Qing dynasties (1600's). He was born and lived
at Zhufeng of Pudong (today's Village Zuncun in Yongji County, Shanxi
Province). He began his classical studies when he was seven years old,
and Wushu training at 13. After sitting for the imperial examination,
he passed with honors, which earned him a position as a court official
in Shanxi. He was disillusioned in this position because of the corruption
he encountered, and was eventually forced out of office. After leaving,
he decided to travel throughout China to refine his martial arts. Some
books suggest that he spent more than 10 years in the Shaolin temple
to study Shaolin Wushu, and that he later taught in the region. During
this time, he was suspected of being involved in the anti-Qing movements.
Legend suggests that Ji Jike went to the
Zhongnan (Jong Nan) Mountains to visit teachers having a profound knowledge
and that he received the boxing manual of King Wumu (Yue Fei) entitled
"The Bible of Six Harmony Quan". This cannot be confirmed, but Yueh
Fei represented a respected and legendary figure whose spirit was well
admired at that time and could be used as a symbol for Jike's anti Qing
activities.
According
to the "Ji Clan Chronicles" (Ji Shi Jiapu), Ji Longfeng's spear
skill was extraordinary and he was known as "Divine Spear" (Shen Qiang).
From those manuals and using spear principles, he taught a new style
of fighting in Henan. He is recorded as stating "I have protected myself
in violent times with my spear. Now that we are in a time of "peace"
and our weapons have all been destroyed, if I am unarmed and meet the
unexpected, how shall I defend myself?" In answer to his own question,
Ji Longfeng reportedly created a style of unarmed combat based on his
expertise with the spear. He referred to his art as "Liu He", the Six
Harmonies. His students include Ji Longfeng, Cao Jiwu from Hebei province
and Ma Xueli, a Luoyang resident, from Henan Province.
|
|
|
Li
Feiyu (1760-1840), Henan, Hebei and Shanxi Hsing Yi
 i
Feiyu (Li Nengran) was born in 1807 and died in 1888 at the age
of 81. He was born in Shen County in the province of Hebei. He is
generally considered to be the leading exponent responsible for
the popularization of Xingyi Quan and much of the history of modern
Xinyiquan can be traced to him and his students. There is some controversy
as to who was the real teacher of Li Laonong. The most common theory
suggested by Xingyiquan practitioners living in Hebei claims that
Li learnt from Dai Longbang. Shanxi Xingyiquan historians point
at Dai Wenxun (Dai Erlü , Longbang's son) or Dai Kui (Dai Wenxun's
son). Dai Family Xinyiquan followers attribute the transmission
of the art to Guo Weihan, nephew of Longbang's wife. The truth will
probably never be known. [1]
He
was extremely open in his teaching and he encouraged his students
to continue to be innovative and strive to improve the art. These
ideas can be seen in the present branches of Hsing yi quan. For
example:
-
Che Yonghong
concentrated his work on the double set known as "An Shen Pao"
and its practice is at the heart of Che Style Xingyiquan.
-
Song Shirong
and Song Shide's forms had a skillful use of qi development that
caused them to vibrate and shake as they issued power. This is
the hallmark of Song Family Xingyiquan.
-
Guo Yunshen,
influenced by his expertise with Shaolin quan, added smooth graceful
motions (like floating on the wind) and combined them with rigorous
short, quick movements. These helped to shape the Hebei and Shansi
styles of Xingyi Quan.
The
legacy of Li Luo Nengran is a rich and varied martial art that emphasizes
practicality and effectiveness. His fame is perpetuated by his numerous
famous students.
|
|
|
Wang
Xiangzhai (1885-1963) and Yi Quan
 ong
Yen Chai (Wang Xiangzhai) was born in Weilin Village in Hebei Province.
One of the last students and a relative of the great Guo Yun Shen,
he learned the foundations of Hsing Yi.
He
made two extensive trips through China in 1907 and 1918. During these
trips, he exchanged techniques with some of the best martial artists
in China. During this period, he continued to improve his skills by
learning other styles including: Shaolin, Tai Chi, Ba gua, Crane and
Mei Fa Chuan.
By
1925, Wang had established a considerable reputation in the martial
arts community as a great martial artist and teacher. He was active
in promoting a renewed interest in the Chinese martial arts. At the
same time, the essence of his teachings evolved from the traditional
practice of the Hsing Yi to a new style that focuses on zhan zhuang
(standing) exercises. This new style was named "Yi Quan" (Intention
Fist) or "DA Cheng Quan" (Great Achievement Boxing).
Wang
and most of his students remained near Beijing during the War with
Japan and after the Chinese civil war. During this period, he published
two books, "Correct Path of Yiquan" and "Theory of DA Cheng
Quan". He also continued to teach and, at one time, his students
numbered as many as 100. His teachings and practice were affected
by the Chinese Cultural Revolution. In 1951 he publicly gave up teaching
the combat aspects of Yi quan and began to promote its health benefits.
For the remainder of his life, Wang Ziangzhai traveled to different
hospitals throughout China to introduce his health cultivation methods.
He died on July 12, 1963, in Tianjin.
His
students, who continue to spread his teachings throughout the world,
have preserved the legacy of Yi quan.
|
|
|
References
[1] Dai
Family Xinyiquan - Technical Characteristics, Part One, Jarek Szymanski,
1999-2002,ChinaFromInside.com 2002. {Aug., 2002} [Back]
|
|
 |
|
|
Copyright
2003
|
|
Last
update: 03/30/2002
|